
'87 Agency TCD Co. Production Osaka Telecom Co. D:Mr.Imai / LD:Yoichi Yasuda
To bleach it, the black and white part changes the make-up as black rouge is pulled and has improved the contrast. Does no one feel the charm by you in a black lipstick?
ARRI 35BL3 Fuji FilmAX320

'88 studio koo-kai Mr.Kitaya Daisuke Production PlanDo・Production Co. D:Akihiko Hashino LD:Tetsuo Sawada
It takes a picture by setting up the counter in the cafe bar in west Tenma that not is now. Mr.Tetsuo Sawada did the lighting. He is the only apprentice in Kyoto of Takeji Sano who is the lighting engineer of supervisor Akira Kurosawa work. It took charge of this series in numerical work afterwards. In a certain work, the sun was constructed by handling Arkwright. Even if the producer rains, can you do?he said.Of course YES! It was fine weather on that day. However, I think it is serious if it was raining.
panaGolden fujifilm AX

'01 Agency:ADK Production:Mebius D:Takedhi Fujita LD:Tetsuo Sawada
To construct the world of Biohazard famous for the game, we rented the Nishinomiya stadium parking. The Nishinomiya stadium is destroyed and becomes a shopping center now. The car of defense forces that come and go in the intersection is Hammer. The crow that plays a game and comes out is a real thing. It borrowed the shopping street in front of Hankyu Nishinomiya-kitaguchi because there was a town in the following location place. And, the road was blockaded, the car that actually ran was upset, the smoke was fired, four high riders for the lighting were prepared, BL and B5 were put up to HMI, and the pale world was constructed. Even the policeman in the nearby police box did the traffic control. It is work that this remains in my memory, too.
ARRI 535 kodak VISION Expression 500T

'01 NIVIC Co. D:Kazushi Suya LD:Tetsuo Sawada
It is taking a picture of first "F900CINEALTA" in Kansai. It is CM of the ice cream of the name "Glico 3C". Aiko's light music "be master of life" (From 3rd album 'Summer costume') flows to backing. At first, there are a lot of patterns of the continuity and is a condition said taking a picture and the length turning by this positive, and though it agreed to use "F900CINEALTA" tested in the taking a picture supervisor society with the supervisor, the machine parts procurement only in Osaka was difficult, the camera borrowed Tokyo IMAGICA, a new tube in Angers, and the lens from Knack, and the HD monitor collected machine parts from the tex in WFM and LED for HD24P by cooperation of the Sanwa video center (SANWA EIZAI Co.) and everybody. And, the one that was the most serious was a Sine of HD setting. Old F900 had the Preknee function.Dynamic ranges are narrower by all means than the films and the highlight area is not reproduced. It was E-mailed that teach the Sine setting of F900 to manager Geff Boyle of CML(http://www.cinematography.net/subs.html) that I was registering in the mailing list after thinking. I input Cinealta in the taught numerical value from G,Boyle. The image that had been projected from the monitor was an ugly image of a low contrast.To English from Boyle"You may not worry. It becomes a low contrast because there is a melody of 7stops near film.SD is done, it is safe."It was written. The material of the test taking a picture was downconverted. It was an image like the material of FtoV. And, it takes a picture of the real thing. The mastering monitor was done inverted first. Because the scanning reverse function was not provided in old F900. I directed the lighting engineer not to make the monitor of a low contrast see. The exposure was decided with the meter. We felt nervous more than the film taking a picture.
sony-F900

'03 Agency:ADK Production:Mebius D:Takedhi Fujita LD:Tetsuo Sawada
The location of this work is Amami Oshima. The camera is Varicam of the prototype. It borrowed the prototype from Panasonic, and it went to location. However, a serious thing happened on the Amami. There was no problem when the camera was checked in the day before. It arrived at Amami and it checked it again. The viewfinder doesn't light. It is useless though tried many times. If it is the state as it is, the camera operation rate cannot be done. I asked to send Panasonic the viewfinder. It takes two days for it to arrive. If taking a picture will not be ended budgeting by the day after tomorrow, it is useless. There is a possibility that WFM made of ASTRO can be installed in the camera by the liquid crystal comparatively lightly. It looked for the mounting hardware in electric appliances store and the do-it-yourself store in Amami Oshima. However, meter's is a public screw in Japan. There is GITZO in the portrait studio in the town, and it borrows the screw. When the battery was put up, it was not able to be balanced because it was heavy though it managed to install in the camera.Monitors brought to the location are 2 pieces. The battery drive was only 1 piece.It doesn't know this thing excluding the taking a picture part. I disliked thing that the staff was made to have uneasiness. Because it was the first HDTV work excluding me. The put photograph was taken without the viewfinder. As for other scenes, I am the cameraoperation as usual. Taking a picture the same as usually. Because the camera returned normally.
Panasonic Varicam prototype(27V) 

'04 Production:TCJ D:Satoshi Yamaya DoP:SHUJI KURATA op:Ritsuko Toyoura
It is taking a picture with the DoP system. The old-timer effect engineer in Kyoto came the photographic effect.
ARRI 16SR3 VISION200T
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