THE THIRD FACE
Honne and Tatemae
Being in Japan for several years, you may find two faces on one Japanese face. Most of the Japanese often say, "本音 (honne, private opinion) and 建前 (tatemae, common opinion)".
Two opinions are present in the same head. Which is true? Why are two opinions in one Japanese head? Because either opinion is not true. Both opinions are double-faced.
If anyone has his own opinion, one opinion alone must be present in one head. Then, each man acts under the opinion of his own spirit and philosophy since he can not do two or more actions at the same time.
Many faces
At the first time when you visit Japan, you may find many faces which may be the most various in the world excluding the hair and skin colors.
Among the faces, you may find many obscure faces. Some Japanese often mistake the obscure faces for one kind of the monotonous faces, and the single national face. Because the thinkings which are reflected on their faces are mainly influenced by the Chinese and Western thinkings, thus resulting in the obscure faces which sometimes look spiritless.
You may also find the face which you have not ever seen or can not understand. That is the third face of Japan.
Double faces
What is the first being of double faces? When you stand in front of the mirror, you can find your other half, and make up your own half. However, the double faces are different from the dreamed face, the third face but you will dream of a miracle which is double-faced between you and mirror. A miracle may be born from the mirror.
The miracle, mirror and mirage are the products of the character "M". Mickey Mouse and Marilyn Monroe are the characters of double "M". In Japan, モモンガ (MoMonga､ flying squirrel) is the fairy sprite of double "M" in 森 (Mori､ forest) of the Mountain. 桃太郎 (喪喪田羅､ MoMotaro､ peach boy) is the first hero for the children in Japan, and is a peaceful boy born from the peach.
The Man, Monk, Monkey and Monster also live in this cosmos of "M". But the animal does not believe any miracle in the same world but it looks happy when it is satisfied with the food without cocking. What does the mankind find through the double-faced cocking reflected on the mirror?
A miracle may happen in the society which is made of many man-made mirrors.
Kaleidoscope
The kaleidoscope is made of three mirrors and makes you see a variety of mirages which the human being can not produce. The kaleidoscope (万華鏡、 万神境) makes you see ten thousands (万) of flowers （華） beyond the fence (境) of the god (神) garden, the world of 華神 (flower god).
The mirror (鏡､ 加賀目､ kagami) may be the fence (境､ sakai) between you and the third being (heaven voice､ 御言､ 尊､ 命､ mikoto) . The largest tomb of Mikado (帝､ 尊 of 命､ voice of voices) in Japan is present in 堺 (sakai､ 境､ 佐賀夷) which had been the kaleidoscope of the foreign world in Japan for a long time of more than a mantury (万世紀、１００ centuries).
堺 (sakai､ 境､ 佐賀夷､ port town､ town of canoe man､ 賀奴､ 神、god) was relocated to 神戸 (kobe､ door of god) by the westernized government about 150 years ago. At the end of the 20th century, the ghost of 栄屋 (Ja of sakai、jack of prosperity) is destroying the kaleidoscope, economic world. He throws the arrow of IT revolution with the new kaleidoscope which is infantly focused.
Who will throw the true arrow (矢､ ja)? Shakespeare!!
The kaleidoscope may be the mythology, and a set of three mirrors is called 三曽鏡 (mithogy) in Japan. 禊 (mythogy) is a Chinese character, and 禊 (みそぎ､ misogi） means 三曽鏡 (three original mirrors、mithogy) in the Japanese language. 契約 means a contract which is produced on the paper (kami､ 神鏡､ mirror of god) under three faces of I, You and the third being.
Double-jaced term
The first half of the solar year is doubled-jaced with January and June. The last half of the year is single-jaced with July alone. The first half is the mythological time which is called 禊 (mythogy) in Japan, being the cold term, and the remaining half is the endless human term without the last jace.
Since the mythology and calendar are the fictional beings made by the human being, they have the starting and ending points. The human being can determine its own start point as the fiction but who determines its ending point is unknown. Is there any end in the fictional world? Even if any last miracle happens, it is merely the starting point for the next miracle which leads to the next fictional world.
The solar calendar is the symbol of the international being produced by sublimating the thought of Caesar to the spirit of Julius. He is the first double-jaced emperor with the solar and lunar thoughts, and their combination is the janar thought of Hellenism (日羅奴佐喪､ 平幣喪) and Renaissance (再奴佐奴佐､ 再幣奴佐､ reconstruction of solar being).
In Japan, the thought is recorded as 平泉 (日羅夷佐喪､ Hilaisum) of 阿部徒 (あ日徒､ ahead) people. Bikila Abebe (日賀等 あ日日) is the running hero (日等､ 比羅) for the sun in the 20th century.
Solar world with Ja
Gavia (賀日あ､ アビ､ avi) is the bird which aviates from 安倍川 (abegawa､ あ日賀輪､ river of aviation) like an arrow (あ羅輪､ 矢､ ya, ja) for the sun (佐奴) at the top of Fuji Mountain (耶間､ yama) on the round world (羅輪), and aviates for Ibuki Mountain (伊吹山､ 夷日城 佐奴､ solar god heaven) from 揖斐川 (夷日賀輪､ ivigawa､ river of aviation).
Anhinga (あ日賀) and Gavia (賀日あ) are the doubl-faced birds of the summer and winter. In Europe, you will find the birds at Avignon (あ日賀奴), Abingdon (あ日賀土奴) and Abiles (あ日羅佐). They fly to Sierra Nevada (佐羅 奴日田､ new town of solar being).
The first double-faced god is Janus in the Roman mythology. Its spirit is inherited by Jack, John, James and others in whom the janar thought is expected by the parent.
However, the double-faced man is not at the top as Janus becomes Jack under Queen and King. The traditional lunar calendar does not have one year, straying between 12 months and 13 months in the trump world of Queen and King. Which is the top?
In Japan, the human (日奴) means the solar (日) being （奴）. Which is its personification, King or Queen? Though Jack is called 輩 (jackala) in Japan, he is not under King or Queen but under the third being, the third face.
Before Janus became the new face, Apollo and Jupiter had been present. In the history which is the story of hi (日､sun) and anhinga (あ日賀), Apollo is the double-faced Xinga (謹賀､ 木奴賀) of King (木奴賀) and Queen (木夷奴､ クイナ､ water rail) in the limitless world of K, C, G, Q and X.
In the country of 禊 (mythogy), the country is called コウノトリ (counotori, stork) which brings a baby to the country in the western world. In Japan, the country means the range where the stork flies.
The symbol bird of the king is the anhinga （鵜､ あ日賀､ 金烏）which flies for the sun, being the double-blacked bird of cormorant (鵜) and crow (烏).
The globe where they fly and dive is the double-spaced world (輪羅土､ WRLD): the ring (輪､ Wa) of sea (輪土､ Round lanD) and land (羅土､ LD) which are surrounded with the horizon or mountains.
Numeric cosmos
They fly for the corona and aura (aurora) of a miracle. But the last miracle is always in the darkness （闇、 83､ 38､ 宮）, the third world. The third world is the limitless and dark (黒、crow､ クロー、 烏、bird of 9）space. 源九郎 (３９喪土９羅宇) and ダライ ラマ(田羅夷 羅間) are also the straying men in the black world, being now bright.
All (皆､ ３７､ mina) have strayed, are straying and will stray in the cosmos of the ten (天、3+7、10､ heaven). The cosmos (曼陀羅､ 間奴田羅､ man dull) may be made of the three mirrors which produce the limitless spaces beyond six spaces (6間､ 無間) of double three spaces.
The men who stray in the dark space are sometimes called the black men (黒徒､ 玄人､ 96徒､ kuroto), the called men. The black men (9+6=15) may be beyond the queen (12) and king (13), and the black jack (21) is the ace beyond 20 which is composed of 8, 9 and 3 (yakuza､ 893、Japanese gangster), the numbers of the Japanese black jack.
The Japanese black jack is called お富さん(otomisan､ spiritful sun) who has the spirit of Janus (Jack､ 11). 士 (samurai､ salute man) means 11 since 十 means 10 and 一 means 1. 士 (殿の一､ first of ten) means 男 (male､ jack), and 女 (クノー､ first of nine) means 女 (female) since 口 (ク､ 9､ ku) means the box.
If you goes to 山口 (耶間口、yamaguchi), you will find the relationship since 耶間口 means 間 (space) of 耶 (Ja､ Jack) and 口 (female､ be徒､ beto､ Betty).
Since J is the 10th alphabetic character, Janus is the guard man at the gate of the jard (yard and zard) of the alphabetic cosmos. In the human world, Jack is the guard man at the gate of the yard of Queen and King who have the solar thought (decimal world) and lunar thought (tridecimal world).
The society governed by the trio of Jack, Queen and King is under the world of the trio of the birds (tori､ 鳥､ bird). They are equivalent to Janus, Jupiter and Apollo.
If you drink Suntry (sun bird, three trio、Japanese whisky), you can go to the happy drunk world of the double three spaces (3+3) beyond the world governed by three men. You may find the hexagonal star, or be further brought to the black darkness (kurama､ ９羅間､ 暗間､ 9th space, 3X3).
Japan has been ever called 富本, the country of 富 (tomi､ 十三､ 13), 大 (top､ 10) and 十 (10). 10+10=20 means yakuza (893､ 20、Japanese gangster). In the numeric cosmos, it also means 13 X 2 (1+1) = 26.
What means 富士 (Fuji) ?
Spiritless doll
The most different point between the man and doll is whether it has a spirit or not. The most advanced doll is the robot, which has a memory but not any spirit.
Each man has his own spirit, individual philosophy to control his whole thinking ways. They are arranged from the memory by adding an unknown future part with the spirit, and are put into a reality of various living ways case by case. Any spirits are not the same as each other at all as there is not any same other man at all.
If any man loses his own spirit at the young age in the mechanical world full of various information, he will become a spiritless doll with multi-faces which lose the balancing center, the spirit.
If any man lives in the one-pattern society, the social face alone will grow up to be controlled by the social spirit. The balancing point between the double faces of the private face and social face goes away from the individual spirit. Since the social spirit is mechanical, he becomes a spiritless doll.
Of course, the spirit is possessed by not only a man but also an animal and plant. The spirit is a vector which aims for the future, and most of the plant grow up for the sun. This spirit is AHEAD (あ日土､ AHIDO) which means "top (A) of solar land (日土､ head)" in the Japanese language as A (あ) is the top of the alphabetic characters and the top of 「あいうえお(AIUEO)」of the Japanese mother sounds (vowels). Moreover, HEAD (日徒､ HITO) means the human being in the Japan language.
The animal was graduated from the solar level and has strayed for something including the hunting. As the mankind stands at the top of the animal, he has additionally grown up the culture and civilization. The solar spirit has divided into a variety of spirits of the human cultures and mechanical civilizations. These have produced a variety of kaleidoscopes which are made of many mirrors of the spirits and faces.
Solar world of "Hi"
In the scope spaces, a variety of solar and man-made lights are reflected. As the history teaches, the human culture of the solar spirit will be eternally inherited but the mechanical civilization will surely ruin. The history means the story of the solar (日､ hi) spirit in the Japanese language.
In the first stage, the seaman with the "anhinga" cap traveled for the sun, and arrived at Japan. The "anhinga (あ日賀)" cap is recorded as 烏帽子 (cap of crow、crown) which had been grown up from 鵜帽子 (cap of anhinga).
The character of 烏（crow）expresses the spirit of あいうえお (AIUEO: AEIOU in the alphabetic order) as you see from 金烏 (kinA), 烏龍 (Uron), 烏帽子 (Eboshi) and 嗚 (U､ O). 烏奴賀(Inca) means the black bird which is now called the condor (賀奴土羅), and 烏 (crow) is called 賀羅佐 (karasu) in Japan.
The seaman with the "anhinga (鵜)" cap is called 鵜飼 (ukai) and 鵜殿 (udono) in Japan. 鵜飼 and 鵜殿 had grown up from 能登部 (奴徒日､ solar seaman). The black man of 能登部 (notobe) had strayed for a solar light in the not-to-be world of darkness.
Aiming for the morning ray like a arrow (矢、JA) from the valley between waves (peaks), the crow (kuro､ 黒､ black) flies in the dark night, and the anhinga flies on the black stream (黒潮､ kurosio､ crow sea、Japan Stream). 九郎 (kuro､ 黒､ crow、9th man) strayed in the not-to-be world of 鞍馬 (kurama､ 暗間､ dark space､ 九羅間､ 9th space). The not-to-be world is 弥勒 (miroku､ 369､ 18) which is the rear side of 八幡 (8th space､ yapan､ Japan).
In the age of 鵜殿, the "anhinga" cap was advanced to the cormorant (鵜) hat and crown (烏奴､ crow-n). In Japan, the hat has been inherited by the monkey (猿､ 佐羅､ salu) hat which is the salute (佐羅徒､ 猿徒､ ape man､ あ日奴) hat, being the "あ日賀､ あ日向､ anhinga" miter with red roundness on the golden base for the Happy New Year day.
In the Yankee (耶奴賀､ 耶賀奴､ J god) world, the jackals (輩､ jackala) battled at Saratoga (佐羅徒賀､ salatoga､ salute being､ 猿賀徒､ monkey god) to aim for the sun of Independence. At the monkee mountain in Japan, the monkey and crab battled in the fairy world. What 輩 (yakala) aims for is unknown every time in Japan. The characters R and L of the world are the double faces of 羅.
Do you know the difference between the skull cap (佐賀羅 賀日) and the miter (弥田)? If you don't know it, you shall go to 三田 (miter､ 3rd space), the start space of 弥勒 (miroku､ 369) cosmos.
The capital of the sea culture in Japan is recorded as the sun mirror (佐奴鏡､ 讃岐､ sanuki) on the Japan map. The spirit of the seaman is recorded as the salute(佐羅徒、 salato) in the English and Japanese languages. 佐羅徒 (salato) means 徒 (ant) of 羅 (land) of 佐(sun). He strayed in the cosmos of the character "S" of sea, sun, salt and 瀬 (se, sea).
In Japan, 佐羅徒 (saluto) had grown up to 婆娑羅 (basala) which had the spirit of the character "B" of 美 (bi, beauty) and 日(bi､ sun) beyond the character "S" of 佐奴（sun). At this age of the civilization, the salute (佐羅徒､ saruto､ Sartre) had grown up to the jackal (耶賀羅､ 輩､ yakala).
New Inn (Shinjiku)
The capital of the sea civilization in Japan is recorded as the new inn (新宿､ shinjyuku､ 奴耶徒､ new jackal) on the Japan map.
As the tradition of the new inn, the human beings which are free from the solar spirit have continued gathering and will continue gathering there to create the new kaleidoscope of a variety of the individual spirits. In many cases, they gather there to imitate other spirits, and man-made lights are merely reflected. Because any true spirit can not be imitated since each spirit is individual.
The new inn (新宿､ shinjyuku､ 奴耶狗) is now full of jackals (Jadog､耶狗) and dolls (土羅L､ 虎L､ tiger L､ cat lady) who lose the individual spirits. It is now the most advanced kaleidoscope of the spiritless dolls in Japan,
The kaleidoscope had been controlled by the yakuza (耶口佐､ 893、Japanese gangster) who had the spirits of the characters "Y" and "S" under the numeric cosmos. This old Japanese system has been destroyed by the westernized government in the 20th century.
As the result, particularly in April and May of the last year of the 20th century, Japan was controlled by the motionless men, spiritless dolls and voiceful air who lost at last the political philosophy of Japan on the April Fool day in the kaleidoscope of the millennium.
The spiritless doll under the motionless man had brought the voiceful world into the new kaleidoscope in which the mirage and madness are mixed into a large beautiful miracle.
The new miracle may be born from the battle between the mankind and computer beyond the last miracle of the television which is now the nest of the spiritless dolls.
The Japanese miracle at the end of the 20th century may become the start point of the next mantury of a hundred centuries.
Otherwise, the Japanese will not be saved.
Who will control the new kaleidoscope? Shark (佐目､same､鮫). He is now the fictional hero (hira、 毘羅､ ヒラ､ 平) who has the eye (目) of the character "S (佐)", and the eyes (double eyes､ 平目､ 比羅目､ hirame､ flat fish) of the halibut （日羅日徒、 平人、 素人､ flat being、 比目魚、 鮃） which is the king of the kaleids (kalei､ 鰈､ leaf-like fish).
The shark (鮫､ 佐目) is the fish (魚､ sakana､ 佐賀奴) of the kaleid (kalado､ 賀羅土､ 唐津、賀田野､ 交野、 交番) in the hallelujah (比羅羅耶). It is the jackal (spirit of Jack) under the whale (夷佐奴､ isana､ King of the fish･佐賀奴).
The killer whale is 鯱 (shachi､ 佐耶徒) which is positioned at the top of the Japanese castle (shiro､ 城､ 比羅､ solar yard) to guard the queen and king. It is sometimes called Oluka (お羅賀) which means the ogre (お賀羅) of the dolphins (iruka､ 夷羅賀).
In the age of the kaleido (賀羅土､ 唐津), the old inn was called 賀田 (gata) which is the town (田輪奴) of the gods (賀徒等): 新潟 (niigata､ 奴賀田) means the town of the seamen (nude､ 奴徒), and 山形 (yamagata､ 耶間賀田) means the town of the mountain men (耶間徒､ jackals､ 大和).
Thus, the human history of more than a mantury of a hundred centuries is minutely written on the Japan map. It will become the reference scale to clarify the history of the world.
Nation of God
In Japan, there is an uncountable variety of spirits but you had better think that there is not any god but many third beings.
Why is "神道 (shinto, Way of God)" present in Japan? Because it is the Japanese fiction which was produced against the Western God in 明治維新 (Meiji-ishin, AD1868).
However, before the mantury of a hundred centuries, the globe (賀羅日､ galabi) had been already covered with the network of many ways of 賀奴 (kanu) who traveled on the sea with the canoe (賀奴､ canu).
In the cosmos of C, K and G, the spirit of the seaman (Canoe man) has been divided into 賀奴 (Kanu､ 神) and 賀徒 (gado､ God). The seamen had also brought the origins of the characters all over the world.
The Chinese characters are called 漢字 (賀奴字､ canuji), the character (ji､ 字) of the canoe (賀奴) man.
The alphabet is expressed as 阿羅羽日徒 (alaphabito), a solar man (日徒）who travels on the sea (阿羅) with the wings（羽）. The birdman is "anhinga (阿奴日奴賀)" which means the seaman (阿奴) and solar man (日奴) with 賀(ga). 恵賀羅 (EGL) means the eagle and angel. In Japan, 恵奴賀 (enaga) is the name of the lovely bird. 賀 (ga) now remains as 蚊 (ka､ mosquito) and 蛾 (ga､ moth) in Japan.
Both 平仮名 (hirakana) and 片仮名 (katakana) can be read as HIRAGANA (日羅賀奴) which is the origin of Japanese characters. 平仮名 (female character) and 片仮名 (male character) are originated from 日羅賀奴字 which means the character (字) of the man (奴) in the solar land (日羅賀). 日賀羅(higala､ HGL) is also the name of the lovely bird in Japan.
Hebrew (日美羅輪) means the solar (日) beauty (美) of the sealand (輪羅). Therefore, the Hebrew language is originated from the language of the seaman.
Sanskrit (佐奴佐賀羅徒) means the solar (佐) land (賀羅) man (徒) under the sun (佐奴).
It is the rule of the human history that the imitating man makes the origin more complicated. 字 (ji､ character) means the character (spirit) of the seaman, and the landman makes it complicated. The most complicated, sophisticated and sublimated characters are a set of 漢字 (Chinese characters) produced two millenniums ago. Each Chinese character has its own spirit.
神 (jin､ 耶奴､ Janus) means the spirit of the seaman. The pan which the seamen talked of J of was Japan, and Japan is the floating world full of jackals (耶賀羅､ 輩､ jackala). Whether the floating world is heaven or hell is unknown. Because the heard world of Japan is different from the real world of 八幡 (hachiman､ yapan). The third dreamed world is born from a mixture of double worlds.
GOD (賀徒､ gado) means SEAMAN (賀奴､ canu､ canoe).
The king of the gods is MIKADO (弥賀徒､ 耶賀徒､ 帝､ 三角）.
三角 (mikado) means 三角 (sankaku､ triangle).
三角 (mikado､ triangle) and 三鈴 (misuzu､ three bells) are the symbols of 弥生 (耶世夷､ yayoy) which means the spirit (夷) of the world (世) under the J (耶) cosmos with three Ys. Since Japan is a happy (日汎夷､ general solar spirit) land like Java and Jamaica, the islands of many jackals and gods. At the festival, the Japanese put on the festival clothes of 法被 (happi､ happy).
The hexagonal star of double triangles is the star of David (田日徒) who was the king of six 口 (間､ ma､ space) and one of Messiah (目四吾､ 六口徒､ 召人). The star is now the symbol of Hebrew, being originated from the old sea map of the three-lined coordinate system.
The six-division tool is called the sextant which is now the navigation tool of the seaman. The yard which have grown up from J land and Jud (J land) is now the place where the jackals gather.
弥生 (841､ 13) means King (13) beyond Queen (12) and Jack (11). In Japan, the female world was changed to the male world at the age of 弥生(yayoy). 三角 (mikado､ triangle) and 三鈴 (misuzu, three bells) were the symbols of the king and queen respectively. The queen was called 弁天 (venten) which was equivalent to Venus at the same age.
Where is the mu continent of men?
Where is the country of gods?
Where is the nation of nudes?
Where is the pan of jackals?
It takes more than a mantury of a hundred centuries to complicate and sophisticate the world by mixing and twisting these cosmoses. The mankind has lived in the kindergarten which is full of kaleidoscopes. In the future, some men will find new miracles in the past mirages.
The third being is the god of gods.
God（賀徒） is the canu （神） of the canoes （賀奴等）.
The third face is the mirage of Janus with two faces.
Jesus is the king （木奴賀） of kings （木奴賀等）.
天皇 is the 木奴賀 (king) of 木奴賀等 （kings）.
Thus, in the cosmos of "K", the spirit of the mankind was divided to 神（KAnu､ god､ 賀奴) and 絹 （KInu､ silk､ 木奴) in Japan. 絹神 (silk god) is 蚕 (silk worm､ kaiko､ 賀夷子､ 貝徒､ kite) which means the insect (虫) of the heaven (天). 天 (ten) means the tenth space which is called 天台 (tenth space). 天台 grew up from 八幡 (8th space), 八幡平 (hachimantai､ 8th space 台) and 邪馬台 (８間台､ 8th space) through 九羅間 (鞍馬､ 9th space).
When you climb the mountain (山､ ８間、耶間､ Jama､ J space､ 10th space in the alphabet), you will stand at the pass (core､ CR､ 鞍､ ９羅、１０賀、峠、touge) to find another world which may lead you to a miracle. Also you may wonder whether you wander to the peak or basin.
It is heard that the red flowers bloom at the mountain pass where the rising sun throws the first arrow (矢､ Ya､ Ja) of the morning ray to the basin.
Japanism
The human society is composed of many faces. The Japanese easily pick up the Chinese and Western thinkings. The remainder must be the Japanese thinking but is obscure for the Japanese themselves. Because most of the Japanese have missed and lost the origin point of the Japanese thinking.
Which does the Buddhism belongs to?
This is the most important key to get an access to not only Japanism but also Chinism and Westernism including Indianism and Islamism. It may be the internationally golden key, which will be theoretically introduced in this series.
Therefore, some foreigners often easily point out that they are not any true Chinism or Westernism. They are all Japanism because the Japanese are the Japanese.
However, forgetting the Japanism, the Japanese themselves often see Japan through a pair of spectacles which are made of Chinism and Westernism imitated at two big revolutions of 大化改新 (Taika-no-kaishin, AD634) and 明治維新 (Meiji-ishin, AD1868). Where is the telescope which finds the origin point of Japanism?
Most of the Japanese have been in the false world of Chinism and Westernism. It is the fictional world of Japanism. It is sometimes called "建前 (tatemae, common opinion)". What is "本音 (honne, private opinion)"? They may be based on the Japanism.
They are so familiar with the Japanese cosmos that they feel that Chinism and Westernism are superior to Japanism under the control of Murphy rule. However, it is surprising that three cosmoses are present in one head. They cyclically stray in the same head.
Where are the third face and space?
Where is the ace who controls the faces and spaces?
Most of the Japanese have forgotten or lost the third face which has a spirit, a man of brave, and the third space in which he fights.
Three spirits
There are a variety of opinions which correspond to individual spirits respectively. Since there is an individual truth but not any social truth, the mankind has chased for the social truth in the limitless space which is felt as the cosmos.
The Japanese call the cosmos 曼陀羅 (間奴田羅､ man dull). In the limitless and dark space, the human being will eternally chase for the social truth .
Since the spirit leads the human society, the turning pattern of the three major governmental spirits is called "三巴 （みつどもえ）”, which is the symbol of Japan (produced about 1,600 years ago). Its true meaning is now forgot by most of the Japanese, but is so popular symbol that you may easily find it on the Japanese drum (太鼓、 たいこ）, the slate (瓦、 かわら） of a temple and so on.
"三巴 （みつどもえ）”means a cycle of three social spirits in the Japanese cosmos. Three governmental faces are the most stable like a tripod. Most of the Japanese have missed and lost the center of the turning tripod. As the result, the third pod is now obscurely positioned.
There are very few people who know that the flower of orange with two ever green leaves is the rear symbol of 三巴 （みつどもえ）. The pair of the symbols express the spirit of the first Japanese governmental society.
Why do the Japanese miss or lose the spirit of the Japanese society? I find where the missing point is.
In the ancient Japan, the person who polished his spirit the best lead the society. He polished his spirit in various mountains while he traveled to the solar capital every year. At the missing point, the tradition has been inherited and will be eternally inherited to save Japan.
Visit Nara!!
Please contact me, and I will guide you in the Nara Basin.
Horyuji-temple, Todaiji-temple and Yakushiji-temple are very famous but they do not always present the age of Nara.
Which is the largest wooden building? Which is the most well-arranged wooden building? Which is the most technical wooden building? Pagoda (with five roofs) is often said to be the most technical wooden building.
However, my selection does not include the said temples at all.
Because they are the old wooden buildings which were imitated from the Chinese buildings. I will introduce the modern wooden buildings from my collection of the Japanism. Then, you will find the missing point of the third face.
Insular Face
The third face is the insular face of the Japanese islands, being far different from the continental face.
During my tour in Nara, you will find the modern wooden buildings which exceed the three famous wooden buildings of Nara age in their evaluated fields. It does not matter whether they are old or new. The spirits which live in the buildings are the most important.
The life of the wooden building is shorter than that of the stone building. The Japanese have reconstructed it again and again like the shrine of Isejingu. Thus, the spirit of the building has been and will be eternally inherited as long as the third face is present.
Please visit Nara once again, and I will guide you to meet the third faces which have continuously lived and will eternally live at the deepest part of Japan. Then, you will find the Japanese the people of the deepest worship in the modern world.
Please contact me through the following.
Yours Sincerely
First issued on January 1, 2000, and thereafter timely revised.
Renewed:January 1, 2001 [Main Title]